But it is also a messier, more unwieldy piece of storytelling, a grab-bag of topical talking points - feminism and vigilantism, technology and commerce, media and politics - that seems to embody, and at times succumb to, the confusion of our turbulent present.

It is, make no mistake, a delightful entertainment, an ingenious hybrid of action caper and domestic comedy that’s every bit as hilarious and human-scaled as its predecessor.

The world beyond the slick, escapist parameters of the movie screen is not the same world that greeted “The Incredibles” in 2004, and beneath its period trappings and upbeat mood, “Incredibles 2” seems slyly aware of the difference. The sequel’s ’60s touches are even more whimsically pronounced: One of the perks of Helen’s new crime-fighting gig is a real-estate upgrade for the family (less “Brady Bunch,” more Frank Lloyd Wright).īut the changes that have befallen the Parrs are more than merely lifestyle-related. The distinct period setting and sleek, angular design of the first “Incredibles,” with its Midcentury Modern home furnishings and retro-futuristic architecture, made it the jauntiest, most American of Pixar masterworks. The sudden plunge back into familiar narrative territory feels both a little eerie and entirely welcome. Incredible aside and takes on the role of Mr. And once again they are duped by a villain hiding behind a smile and a seductive job opportunity - this time for Helen/Elastigirl rather than Bob, who reluctantly sets Mr. Once again these “supers” seek redemption from a world that has outlawed their powers and forced them to hide behind their average-Joe identities. If anything, the wonders of digital nipping and tucking ensure that they look even better than before.Īnd the story that Bird has devised for them, while considerably more elaborate, resembles the first in general outline. “Incredibles 2” is hardly the only recent example of a beloved American screen family making a long-deferred comeback, but unlike their live-action counterparts on “Fuller House” or the evolving reboot of “Roseanne,” the Parrs haven’t aged a day. It’s a testament to the power of animation, of course, that this is possible. One of the first things you notice in “Incredibles 2” - and if you haven’t had the pleasure of seeing it, you should do so before reading any further - is that no time appears to have elapsed since the events of the first “Incredibles.” Fourteen years may have gone by since the release of writer-director Brad Bird’s Oscar-winning hit, but the sequel picks up right where its predecessor’s cliffhanger ending left off, with the Parr family - Bob, Helen and their kids, Violet, Dash and Jack-Jack - leaping back into the fray.

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